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| Thursday, 27-Apr-2006 07:08 |
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studio shot
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Shot dengan D200 f/13 speed/125
Focal Length: 70mm lens 28-70mm f/2.8
gambar aku bini aku shot 
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| Tuesday, 25-Apr-2006 07:10 |
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B&W
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kawan aku baru balik sibu..
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| Monday, 10-Apr-2006 05:49 |
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golf
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masa aku shot golf kat terangganu 
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| Friday, 7-Apr-2006 06:09 |
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Landscape
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..saje je bubuh kat sini utk tatapan semua..
gambar ni aku shot th 1998, masa tu aku pakai minolta X700. shoot
dengan Fuji Filem Velvia ASA 50, f/16 blub/2.5 minit...
lokasi dekat bukit antarabangsa, sekarang tempat ni dah tutup dah tak leh masuk..
gambar ni tak da edjust kat photoshop we shot what we get....
gambar ni pakai slide filem...tema kasih kerana menonton..
LONG LIVE THE FILEM>
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| Sunday, 2-Apr-2006 08:32 |
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aerial
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masa aku buat job ngan TM
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| Wednesday, 29-Mar-2006 04:36 |
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BALL
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| Sunday, 26-Mar-2006 05:03 |
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the power of wacom..!
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wacom power this to this
 
 
 
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| Saturday, 25-Mar-2006 06:39 |
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| Friday, 24-Mar-2006 05:02 |
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GUBRA
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Early in Gubra, amorous horseplay between young Orked and her husband Arif is interrupted by a frantic phone call from her mother: “We are losing your father!” Orked and Arif rush to her parents' house and, amidst much wailing and scolding, load him into a car and drive him to the hospital. It is a comic reminder of the hysteria that can accompany any family crisis and the catalyst for an important encounter at the hospital with the brother of Orked's lost love, Jason. The story of Orked's interracial love affair with Jason was told in writer/director Yasmi Ahmad's previous film, Sepet (SFIFF 2005), but Gubra is more than just a sequel. This meditation on forgiveness portrays the variations of familial love and malice through the stories of four families: the happy marriage of a muezzin and his wife, the two prostitutes they befriend, Orked's boisterously affectionate Malaysian family and Jason's working class Chinese family. Sharifah Amani reprises her role as the tiny, shrewd Orked, and Harith Iskander and Ida Nerina return as her parents. Nam Ron gives a solid performance as Pak Bilal Li, the muezzin whose religious outlook is solidly rooted in compassion, and Abidah Noor is wonderful as a hefty, no-nonsense servant so beloved by Orked's family that they would never dream of referring to her as the maid. Ahmad successfully combines the comic and the tragic as her characters face betrayals that range from petty cruelty to outright brutality and confront the question of what is and is not forgivable.
—Pam Troy
.My job, on Gubra grand opening in Singapore
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| Monday, 20-Mar-2006 03:18 |
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zulkefli zain
